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＜p＞This book offers a theory and methodology of transmedia arts activism within the technocultural and sociopolitical landscape of expanded documentary production, distribution, reception and participation. Through a detailed analysis of the author’s transmedia project on indigenous and minority language endangerment and revival that consists of the feature-length documentary ＜em＞Tongues of Heaven＜/em＞ and the companion web application ＜em＞Root Tongue: Sharing Stories of Language Identity and Revival＜/em＞, she reveals the layers and depths of a critical arts practice when confronted with complex sociopolitical issues while working with multiple communities across territorial/national boundaries. In the context of the growing field of transmedia documentaries, the author discusses the potentials and benefits of a critical design practice and production ethics that can transform this field to pilot new collaborations in documentary and digital media platforms towards a ＜em＞third digital documentary＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。

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